In October 2010 Rhian was blessed to receive a sacred artefact from Dr Frank Loo called The Banner of Shambhala.

This is, we believe, an ancient crystalline Being created with the purpose of opening multi-dimensional gateways through which the energies of the ancient ones from the stars who once visited this planet many thousands of years ago can travel.

In other words the artefact is, perhaps, a kind of portal for multidimensional and time travel.

The Banner of Shambhala has been an activator for many of the Mongolian Crystal Skulls and explains in some ways why we feel such ancient shamanic connections through these beautiful beings of Light.

The Mongolian Crystal Skulls also seem to be ‘keys’ and the caretakers have a special role as keepers of a great mystery that will be revealed over time.

The Banner of Shambhala bears the interesting symbol of the three spheres on the front and also on top of the head. There is also an undecypherable script on the front of the artefact. Many people have already connected with The Banner of Shambhala in person and through pictures, and report that they have felt and received a range of sacred energies and light codes during the process. The artefact was recently activated through a shamanic ceremony and a lot more information has now been received which we believe has decoded some of the mystery of the Banner of Shambhala – the time may soon be right to share this information as we are now fairly clear on the nature of our work with this artefact.

The Banner of Shambhala was reportedly discovered by the ascended master, artist and explorer Nicholas Roerich. In the 1920s and 1930s Roerich was an advisor to the US Government and he went on a number of expeditions on their behalf to find certain sacred objects which they probably intended to use in Freemasonic rituals. Roerich did not hand over the artefacts to the US Government and eventually he was exiled from America. Perhaps this is because he realised that they needed to be in the right hands because he understood their significance. Interestingly, however, it was Roerich who inspired the US Government to put the Great Seal including the Pyramid and the All Seeing Eye on the dollar bill. This image is also encoded into The Banner of Shambhala.

Roerich was also inspired by the Banner of Shambhala to paint his picture The Madonna Oriflamma (left).

We’ve been in touch with nearly every curator from the British Museum, and a number of experts on Archaeology, Anthropology and Linguistics in the UK and the USA to see whether anyone can recognise the style of the Banner of Shambhala or the script it bears. However, everybody has responded to say they are totally puzzled. Although elements of the script have been recognised as being similar to very ancient writing from the Minoans, Egyptians and even ancient China, nobody is able to confirm that the script is one thing or another. We have our own ideas about the nature and origin of this script which have been confirmed by a reliable channel in shamanic trance.

One Author of books on ancient mysteries told us that the way the spheres are engraved on the top of the Banner of Shambhala is reminiscent of the way ancient African tribes referred to Orion. This makes sense to us in some ways. However, we have noted that some ancient records suggest that Sirius was often depicted by three circles. However another Author and Researcher suggested that the artefact is Olmec-Shang, but of course the problem here is that many mainstream scientists refuse to accept that ancient people from China visited the Americas thousands of years ago because  this would simply change our world history books too dramatically and challenge mainstream thinking far too much.

contact: info@templeofthegoldenheart.com